Shostakovich Symphony No.7, ‘Leningrad’
2nd Jun 2014
CD HLL 7537
Sir Mark Elder
DMITRI SHOSTAKOVICH (1906–1975)
SYMPHONY NO.7, ‘LENINGRAD’ IN C MAJOR, OP.60
1. I – Allegretto
2. II – Moderato (poco allegretto)
3. III – Adagio
4. IV – Allegro non troppo
‘Under the Hallé’s Music Director Sir Mark Elder, the symphony’s large-scale vision was so clear that everything else fell into place with perfect inevitability.’
The Daily Telegraph on the Hallé’s performance of Shostakovich’s Symphony No.7
The timely release of a stunning live recording of one of the most iconic works of the symphonic repertoire from Hallé on top form under their Music Director Sir Mark Elder.
First performed on 1 March 1942, with the world in the grip of an unprecedented conflict, the symphony’s apparent message of resistance and ultimate victory provided audiences with an intoxicating emblem of hope and defiance.
Shortly after the Nazi blockade of Leningrad (now St Petersburg) began in September 1941, Shostakovich and other members of the artistic elite were airlifted out of the city in the interests of their safety. He completed the score of the ‘Leningrad’ Symphony, dedicating it to the besieged people of his home city, hundreds of thousands of whom were to be starved or bombed to death that winter.
As a result of the work’s far-reaching success, Shostakovich became not just a national but an international icon; at home winning the coveted Stalin Prize First Class and abroad gaining huge international attention.
Whilst official political and media channels portrayed the piece as a rallying call in the fight against Nazism, Shostakovich subsequently revealed that much of it was composed in his head before the war, and claimed that it was as much a response to Stalin’s brutality during the notorious purges of the 1930s.
The symphony is scored for vast orchestral forces, including an extensive battery of percussion, a piano, two harps and an array of extra brass instruments that strengthen the climactic moments in the first, third and fourth movements and which are used to great effect in this live recording of the acclaimed opening concert of Hallé’s current season.
Recording taken live from Bridgewater Hall, Manchester under multi-award winning Hallé producer Steve Portnoi with recorded sound fully capturing the drama of the live concert experience.
With music at turns menacing and melancholic, passionate and powerful the work concludes with an exultant hymn of triumph and with victory over tyranny, perhaps as appropriate an aspiration now as it ever was.